Learning Graphic Design Through History

 Module 10 - Chapter 23 and 24  Post Modern Design and the Digital Age This week I'm focusing on the wonderful work of LUBA LUKOVA ! Her bright, graphic designs instantly popped out of Megg's (2016) to me.   https://www.artsatl.org/design-catalyst-change-luba-lukova-moda-designing-justice/ Lukova is a Bulgarian born artist living in New York City and uses her graphic design power to initiate social change for good. Her basic design philosophy is "less is more" and to include simple, bold design elements that pop from many backgrounds of bright colors ( www.artsatl.org/design-catalyst-change-luba-lukova-moda-designing-justice ).  Peace - Luba Lukova - 2001 https://www.artsatl.org/design-catalyst-change-luba-lukova-moda-designing-justice/ Her most famous and beloved piece is "Peace", in which graphic of warfare are made up to create the vision of a dove, which represents peace. Her question was, " do we protect peace by creating endless wares? " He

 Module 9 - Late Modernism - Chapters 21 and 22 Sister Corita Kent  (1918–1986) ...AKA "L.A.'s Pop Art Nun" is who I am choosing to highlight this week. How did this seemingly quiet Catholic nun become a famous graphic designer of late modernism? That's what I wanted to find out for myself.  https://www.corita.org/about/corita Megg's (2016) briefly covers the work that Kent accomplished, only referring to her style as childlike and as her as a bit of a rebel. According to www.corita.org, a website devoted to Sister Kent's work, she joined the art department at the University of Southern California in 1947, where she obtained her Master's degree in art. Near the end of her stint at USC, Kent began experimenting with screen printing on paper. In 1962, Kent became inspired by Andy Warhol's pop art and produced her first piece of pop art. https://www.corita.org/about/corita Throughout the 1960's her art was everywhere - window displays, magazines, etc.

MODULE 8 - EUROPEAN INFLUENCES AND CONTEMPORARY DESIGN: Jacqueline S. Casey This week we are reading chapters 18 to 20, and I chose to focus my efforts on Jacqueline S. Casey and her graphic designs for Massachusetts Institute of Technology (MIT). Casey made a name for herself at MIT and in the world of graphic design by breaking gender stereotypes in her field ( https://mitmuseum.mit.edu/exhibition/poster-art-jaqueline-casey ).  Jacqueline Casey https://www.rit.edu/carycollection/jacqueline-casey Casey was the director of the design services for MIT from 1963 to 1990 ( https://www.rit.edu/carycollection/jacqueline-casey ) and produced hundreds of posters and other graphic material for the school during her time in charge. Poster design was Casey's preferred form of art and her design work incorporated  new Swiss typefaces Helvetica and Univers typography, in combination with strong geometrics designs reminiscent of post-war Swiss design elements. Her color choices were bold and d

 MODULE 7 - Reflecting on Chapters 16 & 17 - 1930 to 1970 - Photoplasty This week I'm focusing my attention on the art of photoplastics, which was developed by  László Moholy-Nagy .  Kicken Berlin - 1925 - László Moholy-Nagy https://www.artbasel.com/catalog/artwork/40002/László-Moholy-Nagy-Photoplastics László Moholy-Nagy was a Hungarian artist who's work ranged from 1923 to 1946. His work was highly influenced by constructivism, which strived to include technology in art. He may have been influenced by the Berlin Dada movement and it's creation of photomantages when he developed photoplastics or photoplasty (Meggs 2016). Jealousy - 1927 -  László Moholy-Nagy https://www.tate.org.uk/whats-on/tate-modern/exhibition/albers-and-moholy-nagy-bauhaus-new-world/albers-and-moholy-nagy-2 According to McBride (2016) photoplasty is the " combination and interconnection of various graphic and other design elements with photographic works". Photoplastics definitely has a r

Module 6 - Early 20th Century Graphic Design - Chapters 13 to 15 This week I'm focusing my attention on Hannah Höch, who was born in 1889 and lived in Weimar, Germany during the height of World War I - which had a major influence on her dynamic and groundbreaking style of art.  https://www.crfashionbook.com/culture/a22158013/cr-muse-artist-hannah-hoch/ Höch was a member of the German Dada group, which was considered a  satirical group of artists (established in 1916) that was born from opposition to WWI and conventional art of the period ( https://www.dadart.com/dadaism/dada/022-dada-berlin.html ). Their art frequently made fun of the culture and German society stemming from the current political issues of the day ( https://www.moma.org/artists/2675 ). https://dangerousminds.net/comments/the_mama_the_dadas_the_pioneering_feminist_artwork_of_hannah_hoech Höch's typical art consisted of carefully constructed collages with her medium created from magazines,  fashion publications,

This week's mission is to reflect on an individual from Chapters 11 and/or 12 - Art Nouveau/Genesis of 20th Century Design. https://www.theguardian.com/artanddesign/2020/mar/18/death-of-aubrey-beardsley-1898 https://www.theartstory.org/artist/beardsley-aubrey/ As an artist myself, who frequently creates pieces with stark black ink lines, Aubrey Beardsley's art (of the Art Nouveau period) stood out to me. Beardsley was considered a bit of a rebel during his heyday and was criticized for his "outrageous" work (1893 - 1896).  https://www.etsy.com/listing/500336587/art-nouveau-aubrey-beardsley-art-nouveau?gpla=1&gao=1&&utm_source=google&utm_medium=cpc&utm_campaign=shopping_us_d-art_and_collectibles-prints-other&utm_custom1=_k_CjwKCAjw_L6LBhBbEiwA4c46ut6vWmbEY4KXUHeX-iks6ZDgYoPsVJ8A-e9t63TNpH-5NdP6GLbI_hoCn40QAvD_BwE_k_&utm_content=go_12569400421_122439148311_507438362879_pla-329595960451_c__500336587_102638416&utm_custom2=12569400421&gc