Skip to main content

MODULE 5 - ART NOUVEAU AND THE GENESIS OF 20TH CENTURY DESIGN

This week's mission is to reflect on an individual from Chapters 11 and/or 12 - Art Nouveau/Genesis of 20th Century Design.


As an artist myself, who frequently creates pieces with stark black ink lines, Aubrey Beardsley's art (of the Art Nouveau period) stood out to me. Beardsley was considered a bit of a rebel during his heyday and was criticized for his "outrageous" work (1893 - 1896). 

Beardsley was referred to as the "Enfant Terrible" of art nouveau (Megg's 2016), which is French for "terrifying child". The term was used to describe Beardsley's art because it was considered controversial due to its distorted shapes and use of strong black shapes. It had Kelmscott influences, yet went strongly against this style by warping tradition. 

Reviewing Beardsley's art, it is easy to see how it was commonly referred to as "the black spot" design. His art was used to illustrate a new edition of Morte d'Arthur and Beardsley's dynamic art led him to become the art editor of "The Yellow Book" which was a magazine that was known for art that shocked the art world of the period. Many of his compositions consisted of sweeping black designs and compositions were considered obscene at the time.  Beardsley spent most of his life unwell and his health was theorized to have contributed to his seemingly grotesque art form during this period (https://www.theguardian.com/artanddesign/2020/mar/18/death-of-aubrey-beardsley-1898). Beardsley hit is prime when he was 20 years of age and was wildly popular for four years before tragically dying of tuberculosis at the age of 26. 

Beardsley's art contributions were short yet very influential on graphic design of the period. His style changed the way people thought about art and advertising in the late 1800's and assisted with the transformation of poster production in America and Europe of the era (https://www.theartstory.org/artist/beardsley-aubrey/).



Comments

Popular posts from this blog

MODULE 10 - Chapters 23 and 24 - Post Modern Design and the Digital Age

 Module 10 - Chapter 23 and 24  Post Modern Design and the Digital Age This week I'm focusing on the wonderful work of LUBA LUKOVA ! Her bright, graphic designs instantly popped out of Megg's (2016) to me.   https://www.artsatl.org/design-catalyst-change-luba-lukova-moda-designing-justice/ Lukova is a Bulgarian born artist living in New York City and uses her graphic design power to initiate social change for good. Her basic design philosophy is "less is more" and to include simple, bold design elements that pop from many backgrounds of bright colors ( www.artsatl.org/design-catalyst-change-luba-lukova-moda-designing-justice ).  Peace - Luba Lukova - 2001 https://www.artsatl.org/design-catalyst-change-luba-lukova-moda-designing-justice/ Her most famous and beloved piece is "Peace", in which graphic of warfare are made up to create the vision of a dove, which represents peace. Her question was, " do we protect peace by creating endless wares? " He...

MODULE 7 - GRAPHIC DESIGN 1930 to 1970

 MODULE 7 - Reflecting on Chapters 16 & 17 - 1930 to 1970 - Photoplasty This week I'm focusing my attention on the art of photoplastics, which was developed by  László Moholy-Nagy .  Kicken Berlin - 1925 - László Moholy-Nagy https://www.artbasel.com/catalog/artwork/40002/László-Moholy-Nagy-Photoplastics László Moholy-Nagy was a Hungarian artist who's work ranged from 1923 to 1946. His work was highly influenced by constructivism, which strived to include technology in art. He may have been influenced by the Berlin Dada movement and it's creation of photomantages when he developed photoplastics or photoplasty (Meggs 2016). Jealousy - 1927 -  László Moholy-Nagy https://www.tate.org.uk/whats-on/tate-modern/exhibition/albers-and-moholy-nagy-bauhaus-new-world/albers-and-moholy-nagy-2 According to McBride (2016) photoplasty is the " combination and interconnection of various graphic and other design elements with photographic works". Photoplastics definitely ...

MODULE 2 - REFLECTIONS ON CHAPTERS 1 - 4

MODULE 2 - REFLECTIONS ON CHAPTERS 1 - 4 Meggs' History of Graphic Design (2016) first four chapters details how text and the alphabet has evolved from cave painting pictures to the creation of the alphabet to medieval bound books. Within these chapters was brief discussion of petroglyphs, which I have always had a fascination with.  Petroglyphs are rock carvings or pictographs that early humans used to communicate stories, myths, messages to each other, educate future generations, may have been utilized for religious reasons, etc. They were, however, not considered to be art for the sake of art. So, why am I so intrigued by petroglyphs?      I live in Petersburg, Alaska and on our very own local beach is a series of ancient petroglyphs carved by the local Tlingit tribe into massive boulders that have sat on that very beach for thousands of years. The future generations of these tribal members still live in our community today and many of the traditions that have be...